Books490 entries
Kazuo Ishiguro – Nocturnes: Five Stories
Released: 06/05/2009
Faber and Faber
One of Britain’s finest authors, Kazuo Ishiguro, returns with a collection of five short stories. Named after a type of musical composition inspired by the night, Nocturnes is a cycle of stories which deal with the themes of music, night-time and, of course, love...
For more information visit:
http://www.faber.co.uk/work/nocturnes/9780571244980/
Buy:
http://www.amazon.co.uk/gp/product/057124498X?ie=UTF8&tag=cultur00-21&linkCode=as2&ca…
Watch:
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Financial Times“Coolly observes the absurd nature of human relationships...” Each of these stories is told in the voice of a laconic, colloquial first-person narrator, with no recourse to metaphor or extravagant figures of speech, and yet comes loaded with enormous emotional weight...
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The New York Times“Ishiguro generally achieves the merely ordinary...” These five too-easy pieces are neither absorbingly serious nor engagingly frivolous: a real problem with a musical set, and a disaster, if only in a minor key, when it’s a question of prose...
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The Independent“sounds a sustained note of bittersweet melancholy...” The ease of the prose, with its misleading smoothness, lulls the reader into a false sense of security. Seemingly gentle narratives of melancholia morph to take into account other themes. Not least the East-West divide...
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Scotsman“Easy and agreeably pleasant reading...” The stories here are essentially trivial. Perhaps they have been thrown off in an interval between more demanding work. As it is, they seem to have asked little of the author...
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The Times“Gentle mood pieces about music and nightfall...” now it is clear that this exquisite stylist is serious in his pursuit of a minimal - perhaps even universal - mode of expression for the emotional experiences that define our lives as human...
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The Telegraph“Music is the thread binding disparate people together...” While the emotional territory may be familiar, the tone is not. Here, when brittle codes of behaviour break down, the result veers more often towards farce than tragedy – although tragedy is never that far away...
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