Tracey Emin: Those who suffer Love

The Observer“Not yet reviewed.”

Scotsman“Not yet reviewed.”

this is london“When she’s good, she’s brilliant...” After this show, no museum exhibition about feminist art, art about the body or sexual identity in art will be complete without this work. It’s a stop-frame animation, made from Emin’s typical, spindly, blotchy ink monoprint drawings...

Time Out“Not yet reviewed.”

The Times“Speaks of emotions from which shrink...” Spectators find themselves staring at doodles and scribbles ripped from school books, blotted and smudged and misspelt and often back to front. Fragile yet unyielding, immediate yet remote, outrageous yet ingratiating, strong yet self-pitying...

The Telegraph“Emin is certainly no fool...” This is a marking-time exhibition that is unlikely to seriously enhance or diminish Emin's reputation. Where it scores best is in her use of traditionally feminine media...

The Independent“Not yet reviewed.”

Guardian“A humble, modest, industriously domesticated craftswoman...” Perhaps Emin is at last admitting that art, at least for her, is a species of self-abuse...

Financial Times“Not yet reviewed.”

Art Review“Not yet reviewed.”