ENO - Der Rosenkavalier

The Observer“Clotted, cloying and overblown...” Whether because of the superb singers – previous casts have been good, too – or because of some weird goings on deep in my limbic system, the first-night performance was overwhelming. I'm talking gibbering wreck...

Opera Britannia“Profound psychological insight...” The staging is hideous to have to look at, managing to be cheaply drab, colourless, spatially and socially undifferentiated, and yawningly empty for much of its length: but musically things have perked up almost beyond recognition...

The Arts Desk“The most assured, most riveting Rosenkavalier...” Gardner’s players unleash a climatic flood of sound that crowns the characters who, like the audience, appear stunned by the emotional release...

The Stage“Emotionally engaging production...” Amanda Roocroft, subtle, poignant and in beautiful voice, is perfect for the Marschallin - no other soprano today is better suited to the role. Sarah Connolly’s Octavian bounds with virile young passion..

Whatsonstage.com“A thrilling event that sets a high bar...” Here is a Rosenkavalier to remember, as strongly cast as one is likely to hear and a world-beating celebration of British operatic talent...

The Independent“Connolly is now peerless in the role...” This marvellous revival, cast at International strength and brilliantly conducted by Edward Gardner, is full of the kind of human observation that reminds one just how finely crafted this piece is...

Guardian“Revels in the nostalgic glamour of Vienna...” What marks the current revival as special is the fine stagecraft McVicar applies to it, combined with the vocal and dramatic excellence of its cast...

The Telegraph“Keeps character and wit on the right side of mugging and farce...” Anchored in a visually elegant staging and Edward Gardner’s cannily judged conducting, the piece for once doesn’t seem overblown or too clever by half...